Authors
James Hamilton
Kansas State University
Abstract
A survey of and a comparison of the relative strengths of two favored views of what theatrical performers do: pretend or engage in a variety of self-display. The behavioral version of the pretense theory is shown to be relatively weak as an instrument for understanding the variety of performance styles available in world theater. Whether pretense works as a theory of the mental capacities that underly theatrical performance is a separate question.
Keywords theatrical performance  acting  theater  aesthetics
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References found in this work BETA

Meaning.H. Paul Grice - 1957 - Philosophical Review 66 (3):377-388.
Truth in Fiction.David K. Postscripts to Lewis - 1978 - American Philosophical Quarterly 15 (1):37--46.
Frame Analysis: An Essay on the Organization of Experience.Erving Goffman - 1979 - Philosophy and Phenomenological Research 39 (4):601-602.
The Nature of Fiction.Gregory Currie - 1990 - Cambridge University Press.

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