Hypatia 13 (1):138-157 (1998)

Abstract
This essay analyzes the implications of the performative aspects of Julia Kristeva's Powers of Horror by situating this work in the context of similar aspects of her previous work. This construction and its relationship to abjection are integral components of Kristeva's notion of practice and as such are fundamental to her critique of Hegel and Freud.
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DOI 10.1111/j.1527-2001.1998.tb01355.x
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References found in this work BETA

Phenomenology of Spirit.G. W. F. Hegel & A. V. Miller - 1977 - International Journal for Philosophy of Religion 10 (4):268-271.

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Citations of this work BETA

Poietical Subjects in Heidegger, Kristeva, and Aristotle.Melissa Shew - 2010 - Comparative and Continental Philosophy 2 (1):63-80.

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