Theory, Culture and Society 21 (6):43-65 (2004)

Despite the growing sociological interest in the object, and the long-standing tradition in the humanities and social sciences concerned with the creation of art and artefacts, there is relatively little research about how people in ordinary day-to-day circumstances explore and respond to exhibits in museums and galleries. In this article, we address the conduct and interaction of visitors to museums and galleries and consider how they examine and experience objects and artefacts in collaboration with each other. In particular, we address the ways in which one participant shapes, through gesture and talk, how those they are with look at and respond to exhibits. The article is based on the analysis of audio-visual recordings gathered in museums and galleries both in the UK and abroad.
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DOI 10.1177/0263276404047415
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References found in this work BETA

The Ecological Approach to Visual Perception.Marc H. Bornstein - 1980 - Journal of Aesthetics and Art Criticism 39 (2):203-206.
Forms of Talk.Erving Goffman - 1981 - Philosophy and Rhetoric 17 (3):181-182.
Art Worlds.Howard S. Becker - 1982 - Journal of Aesthetics and Art Criticism 41 (2):226-226.
Lectures on Conversation.Harvey Sacks & Gail Jefferson - 1995 - Human Studies 18 (2):327-336.
Aesthetica.Alexandre Gottlieb Baumgarten - 1962 - Les Etudes Philosophiques 17 (2):247-248.

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