The Participatory Art Museum: Approached from a Philosophical Perspective

Royal Institute of Philosophy Supplement 79:319-339 (2016)
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Abstract

This chapter introduces the participatory art museum and discusses some of the challenges it raises for philosophical aesthetics. Although participatory art is now an essential part of museological programming, an aesthetic account of participatory art is still missing. The chapter argues that much could be gained from exploring participatory art, as it raises fundamental challenges to our understanding of issues in aesthetics, such as the nature of aesthetic experience, the value of art, and the role of the spectator. Moreover, participatory art fundamentally questions the status of the museum as an exhibition space for contemporary art practices.

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Citations of this work

Assessing Socially Engaged Art.Vid Simoniti - 2018 - Journal of Aesthetics and Art Criticism 76 (1):71-82.
The “Social” in the Social Turn: Empathy, Bias, and Participatory Art.Harry Drummond - 2023 - Journal of Aesthetics and Phenomenology 9 (1):65-81.

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References found in this work

The interaction of ethical and aesthetic value.Robert Stecker - 2005 - British Journal of Aesthetics 45 (2):138-150.
The Oxford Handbook of Aesthetics.Jerrold Levinson - 2003 - Tijdschrift Voor Filosofie 65 (3):582-583.
Creativity as a Virtue of Character.Matthew Kieran - 2014 - In Elliot Samuel Paul & Scott Barry Kaufman (eds.), The Philosophy of Creativity. New York: Oxford University Press.

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