Abstract

Descartes has been associated with a project of establishing the ego’s separation from and sovereignty over its material environment, a project often held to be constitutive of modernity as well as its discontents. Kyoo Lee’s Reading Descartes Otherwise tries to free our understanding of modernity from this imaginary and reductive reading, which she calls the “Cartesian complex,” by presenting the voice of The Meditations as embodied, phenomenologically astute, and emerging from the interstices of his own repeated dreamlike thought experiments.