A. G. Holdier
University of Arkansas, Fayetteville
According to Thomas Aquinas, what distinguishes the theological from the cardinal virtues is the nature of their object: the latter aim at the natural excellence of humans, while the former direct us beyond ourselves to focus on the Divine. This paper considers the cinematic work of Drew Goddard — in particular, his 2018 film _Bad Times at the El Royale_ — as a post-religious response to Aquinas, insofar as it retains and re-presents Faith, Hope, and Love as valuable elements of the human experience itself, even in the absence of a supernatural vector of their application. After the fashion of Caputo’s Derrida, I offer a religionless interpretation of each of the three theological virtues and show how _Bad Times_ itself deconstructs the roles of ‘god’ and ‘human,’ interchanging them in a way that manifests a “religionless religion” wherein the theological virtues can remain vibrant, even without the theological structure that might be expected to undergird them. In short: _Bad Times at the El Royale_ demonstrates how even if God is dead, Faith, Hope, and Love are not.
Keywords Bad Times at the El Royale  Derrida  Caputo  Faith  Hope  Love  Post-religious  Theological Virtues
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References found in this work BETA

Aquinas.Eleonore Stump - 2003 - Routledge.
Faith in Humanity.Ryan Preston-Roedder - 2013 - Philosophy and Phenomenological Research 87 (3):664-687.
Does Faith Entail Belief?Daniel Howard-Snyder - 2016 - Faith and Philosophy 33 (2):142-162.
A Perceptual Theory of Hope.Michael Milona & Katie Stockdale - 2018 - Ergo: An Open Access Journal of Philosophy 5.

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