Journal for Cultural and Religious Theory 20 (3) (2021)
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Abstract |
According to Thomas Aquinas, what distinguishes the theological from the cardinal virtues is the nature of their object: the latter aim at the natural excellence of humans, while the former direct us beyond ourselves to focus on the Divine. This paper considers the cinematic work of Drew Goddard — in particular, his 2018 film _Bad Times at the El Royale_ — as a post-religious response to Aquinas, insofar as it retains and re-presents Faith, Hope, and Love as valuable elements of the human experience itself, even in the absence of a supernatural vector of their application. After the fashion of Caputo’s Derrida, I offer a religionless interpretation of each of the three theological virtues and show how _Bad Times_ itself deconstructs the roles of ‘god’ and ‘human,’ interchanging them in a way that manifests a “religionless religion” wherein the theological virtues can remain vibrant, even without the theological structure that might be expected to undergird them. In short: _Bad Times at the El Royale_ demonstrates how even if God is dead, Faith, Hope, and Love are not.
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Keywords | Bad Times at the El Royale Derrida Caputo Faith Hope Love Post-religious Theological Virtues |
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References found in this work BETA
Faith in Humanity.Ryan Preston-Roedder - 2013 - Philosophy and Phenomenological Research 87 (3):664-687.
A Perceptual Theory of Hope.Michael Milona & Katie Stockdale - 2018 - Ergo: An Open Access Journal of Philosophy 5.
The Prayers and Tears of Jacques Derrida: Religion Without Religion.John D. Caputo - 1997 - Indiana University Press.
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28 ( #31,187 of 2,498,153 )
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