Umberto Eco s Semiotics: Theory, Methodology and Poetics

(ed.)
Newcastle upon Tyne, UK: Cambridge Scholars Publishing (2022)

Abstract

This text explores four books produced by one of the most prominent semioticians of the previous century, Umberto Eco, in order to create a semiotic meta-theory which enhances a multifarious way of â oereadabilityâ and scientifically justifies the dichotomy between the creation of a work of art and its being read, visualized and experienced by the audience. It begins by treating the â oenarrationâ component as one of the main theoretical challenges of Ecoâ s theory, specifically focusing on the concept of time, seen from the linguistic and semiotic viewpoints. The book also explores Ecoâ s text theory, as well as â oesemiotics properâ, representing an analysis of the â oeencodingâ and â oedecodingâ theories. In addition, it exemplifies the â oeopennessâ and â oecollaborationâ between the writer and the reader, as well as relationships between the creator and audience in all forms of art. The book will appeal to scholars, students, and intellectuals who want to have a detailed knowledge of Ecoâ s overall contribution to semiotics, and seek a â oeformulaâ which would inter-connect informational and code theories with the narration method, so as to create what we call â oeinterpretative semioticsâ today.

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Bujar Hoxha
South East European University

References found in this work

A Mathematical Theory of Communication.Claude E. Shannon - 1948 - Bell System Technical Journal 27:379–423.
Story and Discourse.Tom Conley & Seymour Chatman - 1979 - Substance 8 (2/3):199.
Existential Semiotics.Eero Tarasti (ed.) - 2000 - Advances in Semiotics.
Collected papers of Charles Sanders Peirce, volume I.Paul Weiss - 1933 - Revue de Métaphysique et de Morale 40 (2):10-11.

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