Friedrich Nietzsche's "Artisten-Metaphysik"
Dissertation, New School for Social Research (
1992)
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Abstract
The goal of this study is to reconsider Nietzsche's early metaphysics. Nietzsche has been understood both as the last metaphysician and as the first western thinker to overcome metaphysics. Most of Nietzsche's readers who have been concerned with this issue, however, have concentrated entirely on his conception of the will-to-power which appears in his later work and have completely ignored his early artists-metaphysics which is only to be found in his first book, The Birth of Tragedy. If the metaphysical foundations of this work are mentioned at all, readers assume that, because of the prominence awarded to the Apollinian and the Dionysian, the two art-drives are the first principles of the Artisten-Metaphysik. Based on this assumption, these same readers conclude that Nietzsche left his early metaphysics behind as he developed his conception of the will-to-power; the Artisten-Metaphysik has no relation to the will-to-power. ;In contrast to this treatment of the Artisten-Metaphysik, I argue that the first principle of Nietzsche's early metaphysics is the primordial-one , the world artist. On the basis of this hypothesis, I demonstrate that if the Ur-Eine is indeed the first principle of the Artisten-Metaphysik, the two art-drives are derivative of this principle. The Apollinian and the Dionysian burst forth from nature without the intervention of the human artist; each of the two art-drives represents a different creative tendency of the primordial artist. ;The significance of my re-evaluation of the Artisten-Metaphysik is far-reaching. Although previous interpretations of The Birth of Tragedy have prevented readers from seeing any connection between the early metaphysics and the will-to-power, my reconstruction of the Artisten-Metaphysik invites the reader to compare Nietzsche's early metaphysics with his later philosophical thought. And while I do not deny the differences between the Artisten-Metaphysik and the will-to-power, my interpretation enables the reader to appreciate the similarities between Nietzsche's early and his later philosophical work. Nietzsche is no longer understood as either the last metaphysician or the first western thinker to overcome metaphysics; rather, I emphasize the importance of Nietzsche's role as a transitional thinker in the western philosophical tradition. Indeed, Nietzsche emerges as one who adopts the will-to-power in an attempt to overcome metaphysics. And while he thinks of himself as an "untimely one" and one of the first thinkers to have overcome metaphysics, from the vantage point of this investigation elements of metaphysical thought may be identified in his philosophy