Sophia 46 (1):79-89 (2007)

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Patrick Hutchings
University of Melbourne
Abstract
A review of Peter Steele’s Plenty, a book in which each poem is faced by a colour plate of the painting or object which sparked it off. Hollander’s ecphrasis and Krieger’s ekphrasis are held in – possibly unresolvable – dialectic by Steele’s poems. The only resolution which one can find is one of wit rather than of philosophy.
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DOI 10.1007/s11841-007-0001-z
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