Aesthetic experience and aesthetic object
Philosophy and Phenomenological Research 21 (3):289-313 (1960)
Abstract
The purpose here is to give a thorough phenomenological account of the aesthetic experience. The difference between cognitive perception of a real object and the aesthetic experience of an esthetic object is discussed at length. Elements and phases of an esthetic experience are delineated; illustrations of a preliminary emotion of esthetic experience are given, All of which suggest a fundamental change of attitude. From normal perceiving to esthetic perceiving there is a change from categorical structures to qualitative harmony structures, Producing pleasure in the presence of an esthetic object. (staff)Reprint years
1961
DOI
10.2307/2105148
My notes
Similar books and articles
Aesthetic Experience, The Aesthetic Object and Criticism.Martin Eshleman - 1966 - The Monist 50 (2):281-298.
Kant on the normativity of taste: The role of aesthetic ideas.Andrew Chignell - 2007 - Australasian Journal of Philosophy 85 (3):415 – 433.
Mieczysław Wallis: Experience and Value.Monika Bokiniec - 2009 - Estetika: The European Journal of Aesthetics 46 (1):75-96.
Exploring the Relationship between Humor and Aesthetic Experience. Gordon - 2012 - Journal of Aesthetic Education 46 (1):111-121.
Context building and educating imaginative engagement.David E. W. Fenner - 2010 - Journal of Aesthetic Education 44 (3):109-123.
Aesthetic Experience and Aesthetic Object.Patricia Sloane - 1971 - Journal of Critical Analysis 2 (4):28-33.
Analytics
Added to PP
2009-01-28
Downloads
249 (#49,668)
6 months
12 (#77,364)
2009-01-28
Downloads
249 (#49,668)
6 months
12 (#77,364)
Historical graph of downloads
Citations of this work
Aesthetic perception and its minimal content: a naturalistic perspective.Ioannis Xenakis & Argyris Arnellos - 2014 - Frontiers in Psychology 5.
The Aesthetic Value of Literary Works in Roman Ingarden’s Philosophy.Hicham Jakha - 2022 - Kultura I Wartości (32):165-185.
Musical Phenomenology: Artistic Traditions and Everyday Experience.Małgorzata A. Szyszkowska - 2018 - Avant: Trends in Interdisciplinary Studies 9 (2):141-155.
Pleasure and its modifications: Stephan Witasek and the aesthetics of the Grazer Schule.Barry Smith - 1996 - Axiomathes 7 (1-2):203-232.