Abstract

THE PAST DECADE has witnessed an extraordinary resurgence of interest in Kant's writings on aesthetics, politics, and history. On the Continent much of this interest has centered on the debate between modernism and postmodernism. Both sides of the debate are in agreement that Kant's differentiation of cognitive, practical, and aesthetic domains of rationality anticipated the fragmentation of modern society into competing if not, as Weber assumed, opposed lifestyles, activities, and value spheres, and that this has generated a crisis of judgment. Tradition is deprived of its authority as a common reference point for deliberation; judgment appears to be all but submerged in the dark void of relativism. Yet, having both accepted Kant's differentiation of reason as emblematic of the pluralism of modern life, modernists and postmodernists remain divided in their response to its implications. Modernists--Habermas and Arendt too, I believe, can be classified under this rubric--attempt to circumvent the relativism of cultural fragmentation by appealing to a universal ideal of community. This solution recalls Kant's own grounding of judgments of taste in the notion of a sensus communis. By contrast, postmodernists such as Lyotard embrace relativism. Whereas the modernist emphasizes the capacity of rational agents to rise above the parochial limits of local community in aspiring toward an autonomous perspective, the postmodernist denies the possibility of impartiality altogether, thus binding judgment to the traditional constraints of practice.