Abstract
Though Catherine Keller frequently publishes essays, and many of her book chapters have had their beginnings in journal articles, most of the material she is known for has been delivered in the form of tightly organized, if somewhat chaophilic, monographs. What makes Keller's latest offering, Intercarnations, distinctive is that it is a collection of recent stand-alone pieces, some of which carry her ideas and her deterritorializing style into new territories. There is no tight organization here, only resonances across various interventions and themes. Nor does Keller suggest a preferred order for reading. Like the rhizomatic entanglement suggested by her title, the text is a series and not an order.A recurring...
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