Abstract

A number of different and partly contradictory interpretations about the suspension and the indicator system of the ancient Egyptian balance has been given so far. In this article previous explanations of these devices are presented and critically considered; at the same time the balance of the Egyptians is included in the complete evolution of this instrument. Based on original Egyptian colour drawings on papyrus taken from the Book of the Death and considering weighing techniques, it is stated that all interpretations given so far are not capable of providing a satisfactory explanation of the function of these devices.The interpretation given already in 1888 by Sir Flinders Petrie comes closest to the real function of the indicator system: According to his assumption the device consisted of a solid pointer attached to the beam, in relation to which a plumbline was observed after the oscillations had stopped. This interpretation, however, has to be varied or to be complemented by taking into consideration the special drawing technique of the ancient Egyptians: Processes were drawn in a reproduction technique which consisted in the simultaneous combination of a top view and a side view. A new hypotheses about the function of the suspension and the indicator system of the ancient Egyptian balance is presented, which has the advantage of agreeing completely with the Egyptian drawing technique and which, in addition, ensures optimum precision of the weighing procedure