Abstract

How might we construe the demand that is posed by the circulation of photographic images in the contemporary world other than the sense that is given to these in contemporary cosmopolitanism, that is, as an extension of the realm of representation to a wider humanity? The ontological reading of the image and its way of marking life given here delineates an approach to the evidence that images present that de-centres the place of human subjectivity as the locus of meaning. Using the work of Jean-Luc Nancy on the image, and Judith Butler on the apprehension of grievable life, the essay seeks to phrase the nature of a demand arising from the image, as that which exceeds an immediate or given context. It is this demand, I suggest, that is given in the non-representational aspect of the image, its circulation out of context. To heed this demand, I argue, is to attend to what Nancy terms “being-singular-plural” and Butler “grievable life,” and to move beyond the cosmopolitan form of vision toward what Derrida terms “hospitality.”