Abstract

The aim of this article is to analyze why the interpretation and even the misinterpretation that Jacques Derrida did of the speech act theory is political. I will expose four aspects that distance Derrida from Austin’s theory that allow a political reading of performativity: the notion force, the origin of the convention, the idea of subjectivity and finally the way in which Derrida reads performativity and the political through his notion of promise understood as an event that exceeds all convention and contract, denying deontological interpretations of the speech act.