Philosophy Compass 4 (1):22-38 (2009)

Authors
Andrew Kania
Trinity University
Abstract
In this article, I first consider the metaphysics of musical recordings: their variety, repeatability, and transparency. I then turn to evaluative or aesthetic issues, such as the relative virtues of recordings and live performances, in light of the metaphysical discussion.
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DOI 10.1111/j.1747-9991.2008.00194.x
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References found in this work BETA

Categories of Art.Kendall L. Walton - 1970 - Philosophical Review 79 (3):334-367.
Sounds: A Philosophical Theory.Casey O'Callaghan - 2007 - Oxford University Press.

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Citations of this work BETA

Rock as a Three-Value Tradition.Christopher Bartel - 2017 - Journal of Aesthetics and Art Criticism 75 (2):143-154.
A Musical Photograph?Richard Beaudoin & Andrew Kania - 2012 - Journal of Aesthetics and Art Criticism 70 (1):115-127.
Listening to Other Minds: A Phenomenology of Pop Songs.Enrico Terrone - 2020 - British Journal of Aesthetics 60 (4):435-453.

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