Philosophy Compass 4 (1):22-38 (2009)
| Authors |
|
| Abstract |
In this article, I first consider the metaphysics of musical recordings: their variety, repeatability, and transparency. I then turn to evaluative or aesthetic issues, such as the relative virtues of recordings and live performances, in light of the metaphysical discussion.
|
| Keywords | No keywords specified (fix it) |
| Categories | (categorize this paper) |
| DOI | 10.1111/j.1747-9991.2008.00194.x |
| Options |
Mark as duplicate
Export citation
Request removal from index
|
Download options
PhilArchive copy
Upload a copy of this paper Check publisher's policy Papers currently archived: 58,256
External links
- From the Publisher via CrossRef (no proxy)
- doi.wiley.com (no proxy)
- onlinelibrary.wiley.com (no proxy)
- onlinelibrary.wiley.com [2] (no proxy)
- interscience.wiley.com (no proxy)
- works.bepress.com
(no proxy)
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
Through your library
- Sign in / register and customize your OpenURL resolver..
- Configure custom resolver
References found in this work BETA
The Transfiguration of the Commonplace: A Philosophy of Art.Arthur Coleman Danto - 1981 - Harvard University Press.
Transparent Pictures: On the Nature of Photographic Realism.Kendall L. Walton - 1984 - Critical Inquiry 11 (2):246-277.
Musical Works and Performances: A Philosophical Exploration.Stephen Davies - 2001 - Oxford University Press.
View all 35 references / Add more references
Citations of this work BETA
Rock as a Three-Value Tradition.Christopher Bartel - 2017 - Journal of Aesthetics and Art Criticism 75 (2):143-154.
A Musical Photograph?Richard Beaudoin & Andrew Kania - 2012 - Journal of Aesthetics and Art Criticism 70 (1):115-127.
Listening to Other Minds: A Phenomenology of Pop Songs.Enrico Terrone - 2020 - British Journal of Aesthetics 60 (4):435-453.
Similar books and articles
Piece for the End of Time: In Defence of Musical Ontology.Andrew Kania - 2008 - British Journal of Aesthetics 48 (1):65-79.
Musical Works and Performances: A Philosophical Exploration.Stephen Davies - 2001 - Oxford University Press.
Recorded Music: Philosophical and Critical Reflections.Mine Doğantan (ed.) - 2008 - Middlesex University Press.
Sound Travels : Mapping Trajectories of Musical Recordings Towards and Within Sites of Meaning-Making.Karolina Anastazja Anestopoulos - unknown
Glitches, Bugs, and Hisses : The Degeneration of Musical Recordings and the Contemporary Musical Work.Eliot Bates - 2004 - In Christopher Washburne & Maiken Derno (eds.), Bad Music: The Music We Love to Hate. Routledge.
Musical Recordings and Performances: A Response to Theodore Gracyk.Howard Niblock - 1999 - Journal of Aesthetics and Art Criticism 57 (3):366-368.
Documentation and Transformation in Musical Recordings.Theodore Gracyk - 2008 - In Mine Doğantan (ed.), Recorded Music: Philosophical and Critical Reflections. Middlesex University Press.
Works, Recordings, Performances : Classical, Rock, Jazz.Andrew Kania - 2008 - In Mine Doğantan (ed.), Recorded Music: Philosophical and Critical Reflections. Middlesex University Press.
Analytics
Added to PP index
2009-02-27
Total views
110 ( #91,408 of 2,419,706 )
Recent downloads (6 months)
3 ( #248,667 of 2,419,706 )
2009-02-27
Total views
110 ( #91,408 of 2,419,706 )
Recent downloads (6 months)
3 ( #248,667 of 2,419,706 )
How can I increase my downloads?
Downloads
