Musical recordings
Philosophy Compass 4 (1):22-38 (2009)
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| Abstract |
In this article, I first consider the metaphysics of musical recordings: their variety, repeatability, and transparency. I then turn to evaluative or aesthetic issues, such as the relative virtues of recordings and live performances, in light of the metaphysical discussion.
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| DOI | 10.1111/j.1747-9991.2008.00194.x |
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References found in this work BETA
Image and Mind: Film, Philosophy and Cognitive Science.Gregory Currie - 2008 - Cambridge University Press.
The Transfiguration of the Commonplace: A Philosophy of Art.Arthur Coleman Danto - 1981 - Harvard University Press.
Music, Art, and Metaphysics: Essays in Philosophical Aesthetics.Jerrold Levinson - 1990 - Cornell University Press.
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Citations of this work BETA
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2009-02-27
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82 ( #74,324 of 2,242,839 )
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