In Taylor Carman (ed.), The Cambridge Companion to Merleau-Ponty. Cambridge: Cambridge University Press. pp. 74-110 (2005)

Authors
Sean Kelly
Harvard University
Abstract
The passage above comes from the opening pages of Merleau-Ponty’s essay on Edmund Husserl. It proposes a risky interpretive principle. The main feature of this principle is that the seminal aspects of a thinker’s work are so close to him that he is incapable of articulating them himself. Nevertheless, these aspects pervade the work, give it its style, its sense and its direction, and therefore belong to it essentially. As Martin Heidegger writes, in a passage quoted by Merleau-Ponty: " The greater the work of a thinker – which in no way coincides with the breadth and number of writings – the richer is what is un-thought in this work, which means, that which emerges in and through this work as having not yet been thought. 2 " The goal of Merleau-Ponty’s essay, he says, is “to evoke this un-thought-of element in Husserl’s thought”. 3
Keywords Perception  Style  Husserl  Merleau-ponty
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Kantian Themes in Merleau-Ponty’s Theory of Perception.Samantha Matherne - 2016 - Archiv für Geschichte der Philosophie 98 (2):193-230.
Heterophenomenology: Heavy-Handed Sleight-of-Hand. [REVIEW]Hubert Dreyfus & Sean D. Kelly - 2007 - Phenomenology and the Cognitive Sciences 6 (1-2):45-55.

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