Philosophia 48 (4):1469-1481 (2020)

Junyeol Kim
Kookmin University
We take performers of classical music as producers of creative performances. We sometimes criticize a performer’s performance by saying ‘That is not what the composer wants’. The literature takes this kind of criticism, which I call ‘intentionalist criticism’, to be in tension with performers’ creativity—taking the criticism to be an attempt to restrict performers’ creativity by historical authenticity. This paper aims to construct a possible understanding of intentionalist criticisms according to which those criticisms are grounded in our respect of performers as artists. Under this understanding, the point of intentionalist criticisms is that performers, who are pursuing the aesthetic beauty of a work, can produce an aesthetically better result by being open-minded to the perspectives of the composer who is also a serious pursuer of the work’s beauty.
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DOI 10.1007/s11406-020-00176-8
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References found in this work BETA

The Principles of Art.R. G. Collingwood - 1938 - New York: Oxford University Press.
Music, Art, and Metaphysics.Jerrold Levinson - 2011 - Oxford University Press.
Art as Performance.Dave Davies - 2003 - Wiley-Blackwell.
The Philosophy of Creativity.Berys Gaut - 2010 - Philosophy Compass 5 (12):1034-1046.

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