Kant on the Cognitive Significance of Genius

In Violetta L. Waibel, Margit Ruffing & David Wagner (eds.), Natur und Freiheit. Akten des XII. Internationalen Kant-Kongresses. De Gruyter. pp. 3021 - 3028 (2018)
  Copy   BIBTEX

Abstract

In this paper I defend two closely related claims. The first claim, to which the first section of the paper is devoted, is that for Kant taste is a sort of cognition, that is, a form of awareness of reality for which questions of justification are appropriate. Nevertheless, In our appreciation of natural beauty we are aware of the suitability of appearances for inclusion in a rational system, albeit in a way that is subject to important limitations in comparison with scientific cognition. In the second section of the paper, I will use this reading of Kant’s theory of taste to throw new light on Kant’s account of genius later in the “Critique of Aesthetic Judgment.”

Links

PhilArchive

External links

  • This entry has no external links. Add one.
Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

In an Unbounded Way.Andrew Benjamin - 2019 - Research in Phenomenology 49 (1):9-30.
Kant on genius and art.Bradley Murray - 2007 - British Journal of Aesthetics 47 (2):199-214.
Kivy on Musical Genius.J. O. Young - 2011 - British Journal of Aesthetics 51 (1):1-12.
Kant’s Ideality of Genius.Robert J. M. Neal - 2012 - Kant Studien 103 (3):351-360.

Analytics

Added to PP
2023-04-18

Downloads
85 (#194,716)

6 months
56 (#75,388)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Ted Kinnaman
George Mason University

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references