Temple University Press (1989)
Incorporating the complete, corrected text of The Corded Shell, Kivy brings his earlier arguments up to date in light of recent work in the field, and discusses ...
|Keywords||Music Philosophy and aesthetics Music History and criticism Music History and criticism|
|Categories||categorize this paper)|
|Buy the book||$12.50 used (64% off) $28.52 new (16% off) $33.95 direct from Amazon Amazon page|
|Call number||ML3845.K595 1989|
References found in this work BETA
No references found.
Citations of this work BETA
Expressive Perception as Projective Imagining.Paul Noordhof - 2008 - Mind and Language 23 (3):329–358.
Why the Arousal Theory of Musical Expressiveness is Still Wrong.Justine Kingsbury - 1999 - Australasian Journal of Philosophy 77 (1):83 – 88.
Unsound Sentiment: A Critique of Kivy's 'Emotive Formalism'.Derek Matravers - 1993 - Philosophical Papers 22 (2):135-147.
Similar books and articles
The Memory of Sound: Observations on the History of Music on Paper.Donald William Krummel - 1988 - Library of Congress.
A History of Key Characteristics in the Eighteenth and Early Nineteenth Centuries.Rita Steblin - 2002 - University of Rochester Press.
Metaphors of Depth in German Musical Thought: From E. T. A. Hoffmann to Arnold Schoenberg.Holly Watkins - 2011 - Cambridge University Press.
The Fine Art of Repetition: Essays in the Philosophy of Music.Peter Kivy - 1993 - Cambridge University Press.
Added to index2009-01-28
Total downloads89 ( #55,298 of 2,146,811 )
Recent downloads (6 months)7 ( #106,864 of 2,146,811 )
How can I increase my downloads?
There are no threads in this forum
Nothing in this forum yet.