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Theory of Film: The Redemption of Physical Reality
Princeton University Press (1997)
Abstract
This study explores the distinctive qualities of the cinematic medium. It includes an introduction which examines "Theory of Film" in the context of Kracauer's extensive film criticism from the 1920s, and provides a framework for appreciating its significance in contemporary film theory.
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Citations of this work
Embodied Simulation. Its Bearing on Aesthetic Experience and the Dialogue Between Neuroscience and the Humanities.Vittorio Gallese - 2019 - Gestalt Theory 41 (2):113-127.
Another Look at Heideggerian Cinema: Cinematic Excess, Antonioni's Dead Time and the Film-Photographic Image as Copy.Michael Josiah Mosely - 2018 - Film-Philosophy 22 (3):364-383.
Visual Culture and the Fight for Visibility.Markus Schroer - 2014 - Journal for the Theory of Social Behaviour 44 (2):206-228.
The Dardenne Brothers and the Invisible Ethical Drama: Faith without Faith.John Caruana - 2016 - Religions 7 (5):43.
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