Sport as a drama

Journal of the Philosophy of Sport 39 (2):219-234 (2012)
Abstract
Argument of this text is that: to develop aesthetics of sport, we should not begin with aesthetics as philosophy of art but with aesthetics of everyday life; to start with aesthetics of sport, we should not begin with beautiful of ?pure aesthetics? but with the dramatic; to analyze the dramatic in sport, we should not open the analysis with analogy between theater and sport, but with sport as a sort of performance; to get at the meaning of sport as a drama, we have to discuss different meanings ?drama? has in theory and everyday communication; to map the dramatic in sport as performance, we have to discuss some features of sport which determine its dramatics first, and its potential as spectacle later. To proceed with the argument, we have to take into account contemporary state of aesthetics, recent development of aesthetics of everyday life, and theory of performance, together with Bernard Suits? definition of game, Gadamer?s idea of play, and Lévy-Strauss? account on conjunctive and disjunctive ritual
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DOI 10.1080/00948705.2012.725898
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References found in this work BETA

The Savage Mind.Alasdair MacIntyre & Claude Levi-Strauss - 1967 - Philosophical Quarterly 17 (69):372.
Everyday Aesthetics.Y. Saito - 2010 - Oxford University Press.

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Citations of this work BETA

Express Yourself: The Value of Theatricality in Soccer.Kenneth Aggerholm - 2013 - Journal of the Philosophy of Sport 40 (2):205 - 224.
An Agon Aesthetics of Football.Steffen Borge - 2015 - Sport, Ethics and Philosophy 9 (2):97-123.
Aesthetic Imagination in Football.Lev Kreft - 2015 - Sport, Ethics and Philosophy 9 (2):124-139.

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