Frontiers in Psychology 4:1-12 (2013)
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Abstract |
I defend a model of the musically extended mind. I consider how acts of “musicking” grant access to novel emotional experiences otherwise inaccessible. First, I discuss the idea of “musical affordances” and specify both what musical affordances are and how they invite different forms of entrainment. Next, I argue that musical affordances – via soliciting different forms of entrainment – enhance the functionality of various endogenous, emotiongranting regulative processes, drawing novel experiences out of us with an expanded complexity and phenomenal character. I argue that music therefore ought to be thought of as part of the vehicle needed to realize these emotional experiences. I appeal to different sources of empirical work to develop this idea.
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Keywords | Music Affordances Extended Mind Emotions Emotion Regulation Phenomenology |
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DOI | 10.3389/fpsyg.2013.01003 |
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References found in this work BETA
The Ecological Approach to Visual Perception: Classic Edition.James J. Gibson - 1979 - Houghton Mifflin.
Supersizing the Mind: Embodiment, Action, and Cognitive Extension.Andy Clark (ed.) - 2008 - Oxford University Press.
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Citations of this work BETA
Affective Affordances and Psychopathology.Joel Krueger & Giovanna Colombetti - 2018 - Discipline Filosofiche 2 (18):221-247.
Agency and Atmospheres of Inclusion and Exclusion.Joel Krueger - 2021 - In Dylan Trigg (ed.), Atmospheres and Shared Emotions. New York, NY, USA: Routledge. pp. 124-144.
Music as Affective Scaffolding.Joel Krueger - forthcoming - In David Clarke, Ruth Herbert & Eric Clarke (eds.), Music and Consciousness II. Oxford: Oxford University Press.
View all 51 citations / Add more citations
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