Emotion in Musical Meaning: A Peircean Solution to Langer's Dualism

Transactions of the Charles S. Peirce Society 41 (4):762-778 (2005)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 90,593

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Appropriate Musical Metaphors.Nick Zangwill - 2009 - Nordic Journal of Aesthetics 20 (38).
What did Susanne Langer really mean?Alexander Durig - 1994 - Sociological Theory 12 (3):254-265.
Emotion and meaning in music.Leonard B. Meyer - 1956 - [Chicago]: University of Chicago Press.
Polanyi and Some Philosophical Neighbors.Walter B. Gulick - 2009 - Tradition and Discovery 36 (1):6-7.
The Musical Expression of Emotion: Metaphorical-As versus Imaginative-As Perception.Malcolm Budd - 2012 - Estetika: The European Journal of Aesthetics 49 (2):131-147.
Musical Signs and Subjectivity: Peircean Reflections.Naomi Cumming - 1999 - Transactions of the Charles S. Peirce Society 35 (3):437 - 474.
Transfiguring the Emotions in Music.Donald Callen - 1983 - Grazer Philosophische Studien 19 (1):69-91.
The Interpretation of music: philosophical essays.Michael Krausz (ed.) - 1993 - New York: Oxford University Press.
Susanne Langer on representation and emotion in music.Lars-Olof Åhlberg - 1994 - British Journal of Aesthetics 34 (1):69-80.

Analytics

Added to PP
2010-09-02

Downloads
61 (#237,812)

6 months
1 (#1,040,386)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

Music and Cephalic Capability.Jay Schulkin - 2021 - European Journal of Pragmatism and American Philosophy 13 (1).
Langer and the claim for the social value of art.Dorit Barchana-Lorand - forthcoming - Journal of Philosophy of Education.

Add more citations

References found in this work

No references found.

Add more references