Abstract

This chapter tracks the development of the concept of self-awareness (jikaku, 自覚) in the thought of the Japanese modern philosopher Nishida Kitarō (西田幾多郎) (Kitarō Nishida) (1870–1945), founder of the Kyoto School. Nishida’s oeuvre can be divided into distinct periods, from the 1910s to the 1940s until his passing, during which he thematized and focused on different issues. Nevertheless, self-awareness is a unifying theme throughout. In the chapter we trace how Nishida develops this concept through distinct periods in his career. His initial focus upon pure experience gives way to his focus upon its articulation in reflection vis-à-vis intuition as the unfolding of the will. This then leads to his thematization of the place wherein judgment or propositional thought unfolds and the broader contextual place wherein that place is situated. That thematization of place, in turn, develops into a look at the world where we interact as historical and social bodies with others (nature, other people, etc.). Nishida understands self-awareness in accordance with each of these themes in the respective periods of his oeuvre. But common to all of them is how Nishida understands self-awareness as a self-mirroring – self-reflection as reflexivity – founded upon the premise assumed by the articulated image or object of awareness, a premise necessarily irreducible to, and in excess of, the image or object. This is the a priori that Nishida for the most part calls the “absolute nothing” (zettai mu, 絶対無). To explain this Nishida makes use of Josiah Royce’s notion of a self-representative system as well as Richard Dedekind’s notion of an infinite system in his set theory. On the basis of Nishida’s references to the mathematics of set theory, I further compare his understanding of self-awareness to Kurt Gödel’s Incompleteness Theorems as well as to more recent mathematical theorists, influenced by Gödel, whose understanding of the infinite resonates with Nishida’s understanding of the absolute nothing as assumed by self-awareness.