Abstract

Pompey has been treacherously killed, his body decapitated and thrown into the surf. The faithful Cornelia cannot give her husband a proper funeral, but must be content to place on the pyre all that is left of his greatness. Commentators are not of much help in this place, most caught up in tralatician glossing and hence content to echo the scholiastic reference to Pompey's three triumphs. Thomas Farnaby thought of the funeral of Misenus in Aeneid 6; but one looks in vain to Grotius , Oudendorp , Burman , Bentley , Weber , Francken , Heitland-Haskins , Housman , Bourgery-Ponchont , and Luck for the most important parallel, which is to Dido in Aeneid. I adduce the passages Heinze well described as examples of ‘das Idealbild eines heroischen Weibes’: tu secreta pyram tecto interiore sub auras erige, et arma uiri thalamo quae fixa reliquit impius exuuiasque omnis lectumque iugalem, quo perii, super imponas: 494–7) super exuuias ensemque relictum effigiemque toro locat haud ignata futuri. hie, postquam Iliacas uestis notumque cubile conspexit, paulum lacrimis et mente morata incubuitque toro dixitque nouissima uerba: ‘dulces exuuiae…’