Abstract

This article examines the relationship between the philosophical marginalisation of pessimism in Joshua Foa Dienstag's Pessimism: Philosophy, Ethic, Spirit (2006) and the concept of mimesis in the work of Luiz Costa Lima, particularly in his Control of the Imaginary (1988). My aim is threefold: (1) to compare the shared background and peripheral contexts of Dienstag's and Costa Lima's work; (2) to discuss the significance of Cervantes's Don Quixote in this comparative analysis; and (3) to characterise Costa Lima's thinking vis-à-vis conventional institutional thinking. The nature of my subject requires a narrative approach in which the writer remains on the margin of the material, bringing the reader into the same position; to proceed otherwise, as articles conventionally do, would be to adopt a position of authority, institutionality, and hierarchy that is at odds with the material. It is a position that avers conclusions and prefers ongoing questioning