Authors
Paisley Livingston
Lingnan University
Abstract
The article explores the link between motion pictures and philosophy, citing film's contribution to philosophy, and the illustrative and heuristic roles of films. The philosophical contributions of films may be examined in the films "Vredens Dag," or "Day of Wrath," where filmmaker, Carl Theodor Dreyer used various specifically cinematic means to express ideas pertaining to ethical and epistemic issues, while "The Seventh Seal," provides some ideas about religion
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Reprint years 2006
DOI 10.1111/j.0021-8529.2006.00225.x
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References found in this work BETA

Nested Art.Paisley Livingston - 2003 - Journal of Aesthetics and Art Criticism 61 (3):233–246.
Aesthetic Appreciation.Gary Iseminger - 1981 - Journal of Aesthetics and Art Criticism 39 (4):389-397.
The Specificity of Media in the Arts.Noël Carroll - 1985 - Journal of Aesthetic Education 19 (4):5-20.

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Citations of this work BETA

Are There Definite Objections to Film as Philosophy? Metaphilosophical Considerations.Diana Neiva - 2019 - In Christina Rawls, Diana Neiva & Steven Gouveia (eds.), Philosophy and Film: Bridging Divides. Nova Iorque, NY, Estados Unidos: pp. 116-134.
Film as Philosophy: In Defense of a Bold Thesis.Aaron Smuts - 2009 - Journal of Aesthetics and Art Criticism 67 (3):409-420.
What is It Like to Be John Malkovich?Tom McClelland - 2010 - Postgraduate Journal of Aesthetics 7 (2):10-25.

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