Abstract

More than a decade ago, Edward Wilson investigated how to link the sciences and arts in Consilience (1998),1 in which he argues that consilience—the unification of facts—is possible between every subject across the intellectual spectrum. Wilson claims that the sciences, humanities, and arts are linked by reduction from the fine arts, down to the humanities, down, finally, to the natural sciences. For example, René Magritte’s Reckless Sleeper can be understood to be composed of the paints on the canvas, their physical construction, and the feelings the work induces when one looks at the painting. Consilience induced some courses taught on the subject worldwide immediately after its publication; but, most notably ..