Film and Philosophy 17:113-36 (2013)

Abstract
Proposes a shift in thinking about the connection of Malick's filmmaking and the philosophy of Heidegger. My approach considers Heidegger's philosophy of art in order to develop some outlines of a Heideggerian philosophy of film. I also consider some aspects of Terrence Malick's films viewed as exemplar instances of the philosophical theory of film Heidegger's work can support.
Keywords Philosophy of Film  Terrence Malick  Martin Heidegger  Film-Phenomenology  Aesthetics
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DOI 10.5840/filmphil20131710
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Nature Screened: An Eco-Film-Phenomenology.Ilan Safit - 2014 - Environmental Philosophy 11 (2):211-235.

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