A Philosophy of Mass Art [Book Review]

Philosophical Review 109 (4):614 (2000)

Authors
Dominic McIver Lopes
University of British Columbia
Noel Carroll
CUNY Graduate Center
Abstract
The chief sources of aesthetic experience for most people around the world are now the mass broadcasting and recording technologies. Yet analytic aesthetics has had little to say about mass art. Recent accounts of art and the aesthetic, while accommodating the consensus concerning central cases, are largely propelled by problem cases drawn from the avant-garde, and one wonders what the effect will be of adding works of mass art to the equation. One also wonders whether making room for mass art will put pressure on standard views about art and emotion, or the moral or political content of art. It’s time for a comprehensive and sensible philosophical examination of mass art, and this is what we have in Noël Carroll’s latest book.
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DOI 10.2307/2693634
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Some Ontology of Interactive Art.Dominic Preston - 2014 - Philosophy and Technology 27 (2):267-278.
How Not to Defend Response Moralism. Smuts - 2015 - Journal of Aesthetic Education 49 (4):19-38.
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On the Politics of Perception in Moving Image Technology.Martin Morris - 2013 - Philosophy and Social Criticism 39 (6):539-557.

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