Understanding Pictures

Oxford University Press (1996)
Abstract
There is not one but many ways to picture the world--Australian "x-ray" pictures, cubish collages, Amerindian split-style figures, and pictures in two-point perspective each draw attention to different features of what they represent. Understanding Pictures argues that this diversity is the central fact with which a theory of figurative pictures must reckon. Lopes advances the theory that identifying pictures' subjects is akin to recognizing objects whose appearances have changed over time. He develops a schema for categorizing the different ways pictures represent--the different kinds of meaning they have--and argues that that depiction's epistemic value lies in its representational diversity. He also offers a novel account of the phenomenology of pictorial experience, comparing pictures to visual prostheses like mirrors and binoculars.
Keywords Aesthetics   Pictures
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Reprint years 2004
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Call number BH39.L596 1996
ISBN(s) 0199272034   9780199272037     019824097X (hbk.)   9780198240976
DOI 10.2307/432213
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Citations of this work BETA
Perceiving Pictures.Bence Nanay - 2011 - Phenomenology and the Cognitive Sciences 10 (4):461-480.
Trompe L’Oeil and the Dorsal/Ventral Account of Picture Perception.Bence Nanay - 2015 - Review of Philosophy and Psychology 6 (1):181-197.
Aesthetics and Cognitive Science.Dustin Stokes - 2009 - Philosophy Compass 4 (5):715-733.
Why, as Responsible for Figurativity, Seeing-in Can Only Be Inflected Seeing-In.Alberto Voltolini - 2015 - Phenomenology and the Cognitive Sciences 14 (3):651-667.

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