Distant Presence: Representation, Painting and Photography in Gerhard Richter’s Reader

Abstract
An essay concerning the representation of images in art, photography, and painting concerning analysis of Gerhard Richter's painting reader. It offers a debate that representation should be regarded as an act of formation and a performative concept. The author presents analysis of painting which leads the reader into the problem of painted images, such as the constitution of an image by a complex relationship among memory, reading, and blindness.
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DOI 10.5840/symposium20121614
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