Rather than assume—based on the contents of the Nachlass—that the Eternal Recurrence, in its initial formulation, coheres with the later theoretico-metaphysical sense (i.e., sharing abstract space with the Will to Power) I propose the inverse (contrary to Heidegger, Deleuze, and Nehamas (whose Proustian exegesis (Nietzsche: Life as Literature) I’m obliged to radically extend)); namely, that the rotary cosmology of recurrence, as a literal proposition, is a consequence of the poetic sense of the earlier parable (GS)–which, I find, ultimately prefigures the design of his own virulent relapse into theoria (WP).
Keywords Nietzsche, Eternal Recurrence, Heidegger, Deleuze, Nehamas, Proust, Amor Fati, Will to Power, Hurdy-Gurdy Song
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19. Subjects as Temporal Clues to Orientation: Nietzsche and Luhmann on Subjectivity.Werner Stegmaier - 2015 - In Bartholomew Ryan, Maria Joao Mayer Branco & João Constancio (eds.), Nietzsche and the Problem of Subjectivity. De Gruyter. pp. 487-510.
The Conclusion of Nietzsche’s Zarathustra.Paul S. Loeb - 2000 - International Studies in Philosophy 32 (3):137-152.
Nietzsche on Music.Kathleen Higgins - 1986 - Journal of the History of Ideas 47 (4):663.
Acknowledgements.[author unknown] - 2008 - Logic Journal of the IGPL 16 (6):605-605.
Acknowledgements.[author unknown] - 2010 - Logic Journal of the IGPL 18 (5):762-762.

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