Nonconceptual content and the sound of music

Mind and Language 18 (4):402-426 (2003)
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Abstract

: I present an argument for the existence of nonconceptual representational content. The argument is compatible with McDowell's defence of conceptualism against those arguments for nonconceptual content that draw upon claims about the fine‐grainedness of experience. I present a case for nonconceptual content that concentrates on the idea that experience can possess representational content that cannot perform the function of conceptual content, namely figure in the subject's reasons for belief and action. This sort of argument for nonconceptual content is best achieved with examples from auditory perception, especially our perception of music

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Citations of this work

Nonconceptual mental content.Jose Luis Bermudez - 2003 - Stanford Encyclopedia of Philosophy.
Nonconceptual modes of presentation.Manuel García-Carpintero - 2006 - European Review of Philosophy 6:65-81.
Embedding irony and the semantics/pragmatics distinction.Mihaela Popa-Wyatt - 2019 - Inquiry: An Interdisciplinary Journal of Philosophy 62 (6):674-699.

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References found in this work

The Varieties of Reference.Gareth Evans - 1982 - Oxford: Oxford University Press. Edited by John Henry McDowell.
Mind and world: with a new introduction.John Henry McDowell - 1994 - Cambridge: Harvard University Press.
Mind and World.Huw Price & John McDowell - 1994 - Philosophical Books 38 (3):169-181.
Perception and Reason.Bill Brewer - 1999 - Oxford, GB: Oxford University Press.

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