O Caos como Devir na Experiência Filosófico-musical em Deleuze e Guattari

Revista Portuguesa de Filosofia 74 (4):1185-1202 (2018)

Ana Rosa Luz
Universidade Federal Fluminense
In their works, Gilles Deleuze and Félix Guattari urge us to think, even if indirectly, in what way the theoretical-philosophical development could be applied to the composition and the exercise of musical listening. Thus, with a view to enhancing this association between music and philosophy, in this text we will try to define the greatest philosophical-musical concept created by both philosophers. Namely, the ritornello. So that through its chaotic, terrestrial and cosmic seams and textures, the notion of musical-existential devenir is built up. Notion, where the musical argument will reveal itself irrevocably presiding of a founding chaos or, as Deleuze appoints, a germ chaos.
Keywords chaos,  music,  philosophy,  ritornello
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DOI 10.17990/RPF/2018_74_4_1185
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