Die Auseinandersetzung with Heidegger’s Phenomenological Ontology: A Heideggerian Account of the Film Experience: Phenomenology of film: a Heideggerian account of the film experience, by Shawn Loht, Lexington Books, Lanham, Maryland, 2017, 220 pp., cloth, $95, ISBN-13: 978-1498519021
Comparative and Continental Philosophy 11 (3):281-291 (2019)
AbstractABSTRACTThis review essay of Shawn Loht’s new book, Phenomenology of Film: A Heideggerian Account of the Film Experience, not only offers an ontological reading of the filmic experience inspired by Heidegger’s philosophy but also contributes substantially to the ongoing debate of whether or not film is a medium that is legitimately philosophical. In addition to confronting unique ideas about film that emerge from Loht’s analysis of Heidegger’s phenomenological ontology of Dasein, including a reading of later Heidegger of the “Turn,” this essay also seeks to think with and then beyond Loht in a way that might inspire readers to further pursue these issues in relation to a potentially reconceived understanding of the practice of film-as-philosophy.
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References found in this work
The Question Concerning Technology, and Other Essays.Martin Heidegger - 1977 - Harper & Row.
Consciousness Explained.Daniel C. Dennett - 1993 - Philosophy and Phenomenological Research 53 (4):905-910.
The Fundamental Concepts of Metaphysics: World, Finitude, Solitude.Martin Heidegger - 1995 - Indiana University Press.
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