Essays in Philosophy 13 (2):518-521 (2012)
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Abstract |
Bill Seeley suggests that what follows from research into crossmodal perception for expression and emotion in the arts is that there is an emotional contour (i.e., a contour constitutive of the content of an emotion and potentially realizable across a range of media). As a response of sorts, I speculate as to what this might hold for philosophical and empirical enquiry into expression and emotion across the arts as well as into the nature of the emotions themselves.
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Keywords | Crossmodal Perception Emotion Expression |
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DOI | 10.7710/1526-0569.1435 |
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References found in this work BETA
Upheavals of Thought: The Intelligence of Emotions.Martha C. Nussbaum - 2001 - Cambridge University Press.
The Feeling of What Happens: Body and Emotion in the Making of Consciousness.Antonio Damasio - 1999 - Harcourt Brace and Co.
The Feeling of What Happens: Body and Emotion in the Making of Consciousness.Mark Johnson - 2001 - Journal of Speculative Philosophy 15 (4):323-326.
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