Popular Music and Art-interpretive Injustice

Inquiry: An Interdisciplinary Journal of Philosophy (forthcoming)
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Abstract

It has been over two decades since Miranda Fricker labeled epistemic injustice, in which an agent is wronged in their capacity as a knower. The philosophical literature has proliferated with variants and related concepts. By considering cases in popular music, we argue that it is worth distinguishing a parallel phenomenon of art-interpretive injustice, in which an agent is wronged in their creative capacity as a possible artist. In section 1, we consider the prosecutorial use of rap lyrics in court as a central case of this injustice. In section 2, we distinguish art-interpretive injustice from other categories already discussed in recent literature. In section 3, we discuss the relationship between genre discourse and identity prejudice. The case for recognizing the category of art-interpretive injustice is that it allows one to recognize a class of harms as being importantly related in ways that one would otherwise overlook.

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Author Profiles

P. D. Magnus
State University of New York, Albany
Emmie Malone
Lone Star College

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References found in this work

Epistemic Injustice.Rachel McKinnon - 2016 - Philosophy Compass 11 (8):437-446.
Country Music and the Problem of Authenticity.Evan Malone - 2023 - British Journal of Aesthetics 63 (1):75-90.
Rational authority and social power: Towards a truly social epistemology.Miranda Fricker - 1998 - Proceedings of the Aristotelian Society 98 (2):159–177.

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