Abstract

This article draws from François Laruelle's non-standard philosophy to locate gestures of philosophical "authority"or 'sufficiency"within recent work in the philosophy of theatre –including material from contemporary Anglo-American philosophical aesthetics, and texts by Alain Badiou, such as In Praise of Theatre(2015). Whilst Badiou initially appears magnanimous in relation to theatre's own thinking -famously describing theatre as "an event of thought" that "directly produces ideas"(Badiou 2005: 72) -I argue that this very benevolence, from a Laruellean perspective, constitutes another form of philosophical authoritarianism. In contrast, I indicate some affinities between Laruelle's non-standard aesthetics and the emerging field of Performance Philosophy -one aim of which, as distinct from the philosophy of theatre, would be to allow performance to qualitatively extend our concepts of thinking and/or to be attentive to the ways in which performance has already provided new forms of philosophy.