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The Arts and the Definition of the Human: Toward a Philosophical Anthropology
Stanford University Press (2008)
Abstract
The definition of the human -- Perceiving paintings as paintings I -- Perceiving paintings as paintings II -- "One and only one correct interpretation" -- Toward a phenomenology of painting and literature -- "Seeing-in," "make-believe," transfiguration" : the perception of pictorial representation -- Beauty and truth and the passing of transcendental philosophy.Author's Profile
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Citations of this work
Human landscapes: contributions to a pragmatist anthropology.Roberta Dreon - 2022 - Albany: SUNY Press.
Interpreting AI-Generated Art: Arthur Danto’s Perspective on Intention, Authorship, and Creative Traditions in the Age of Artificial Intelligence.Raquel Cascales - 2023 - Polish Journal of Aesthetics 71 (4):17-29.
The Principle of Inversion: Why the Quantitative-Empirical Paradigm Cannot Serve as a Unifying Basis for Psychology as an Academic Discipline.Roland Mayrhofer & Fabian Hutmacher - 2020 - Frontiers in Psychology 11.
How Artistic Creativity is Possible for Cultural Agents.Aili Bresnahan - 2015 - In Nordic Studies in Pragmatism. Helsinki, Finland: pp. 197-216.
Pragmatist Aesthetics: Histories, Questions, and Consequences.Richard Shusterman & Roberta Dreon - 2021 - European Journal of Pragmatism and American Philosophy 13 (1).
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