The Author's Voice in Classical and Late Antiquity

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Oxford University Press (2013)
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Abstract

This volume focuses on the authorial voice in antiquity, exploring the different ways in which authors presented and projected various personas. In particular, it questions authority and ascription in relation to the authorial voice, and considers how later readers and authors may have understood the authority of a text's author.

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9780199670567   0199670560

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Chapters

Introduction.Hill Jonathan & Marmodoro Anna
List ofFigures and Illustrations.Museo di Lacco Ameno
‘I, Polybius’: self-conscious didacticism?1.Georgina Longley
‘When I read my Cato, it is as if Cato speaks’: the birth and evolution of Cicero’s dialogic voice.Sarah Culpepper Stroup
The poet in the Iliad.  (pages 9)Barbara Graziosi
Xenophon’s and Caesar’s third-person narratives—or are they?  (pages 39)Christopher Pelling
Listening to many voices: Athenian tragedy as popular art.  (pages 77)William Allan & Adrian Kelly
Author and speaker in Horace’s Satires 2.  (pages 153)Stephen Harrison
'I, Polybius': self-conscious didacticism?  (pages 175)Georgina Longley
Drip-feed invective: Pliny, self-fashioning, and the Regulus letters.  (pages 207)Rhiannon Ash
An I for an I: reading fictional autobiography1.  (pages 233)Tim Whitmarsh
Ille ego qui quondam: on authorial (an) onymity.  (pages 251)Irene Peirano
Authorship and authority in Greek fictional letters.  (pages 287)Andrew Morrison
Plato’s religious voice: Socrates as godsent, in Plato and the Platonists1.  (pages 313)Michael Erler
When the dead speak: the refashioning of Ignatius of Antioch in the long recension of his letters.  (pages 341)Mark Edwards
Ars in their ‘I’s: authority and authorship in Graeco-Roman visual culture1.  (pages 357)Michael Squire

Similar books and articles

Authorial voice in classical literature. A. marmodoro, J. hill the author's voice in classical and late antiquity. Pp. XVIII + 420, ills, map. Oxford: Oxford university press, 2013. Cased, £90, us$185. Isbn: 978-0-19-967056-7. [REVIEW]Lauren Curtis - 2015 - The Classical Review 65 (2):323-324.
Introduction.Hill Jonathan & Marmodoro Anna - 2013 - In Anna Marmodoro & Jonathan Hill, The Author's Voice in Classical and Late Antiquity. Oxford University Press.
List ofFigures and Illustrations.Museo di Lacco Ameno - 2013 - In Anna Marmodoro & Jonathan Hill, The Author's Voice in Classical and Late Antiquity. Oxford University Press.
'I, Polybius': self-conscious didacticism?Georgina Longley - 2013 - In Anna Marmodoro & Jonathan Hill, The Author's Voice in Classical and Late Antiquity. Oxford University Press. pp. 175.
Authorship and authority in Greek fictional letters.Andrew Morrison - 2013 - In Anna Marmodoro & Jonathan Hill, The Author's Voice in Classical and Late Antiquity. Oxford University Press. pp. 287.
Ille ego qui quondam: on authorial (an) onymity.Irene Peirano - 2013 - In Anna Marmodoro & Jonathan Hill, The Author's Voice in Classical and Late Antiquity. Oxford University Press. pp. 251.
‘I, Polybius’: self-conscious didacticism?1.Georgina Longley - 2013 - In Anna Marmodoro & Jonathan Hill, The Author's Voice in Classical and Late Antiquity. Oxford University Press.
‘When I read my Cato, it is as if Cato speaks’: the birth and evolution of Cicero’s dialogic voice.Sarah Culpepper Stroup - 2013 - In Anna Marmodoro & Jonathan Hill, The Author's Voice in Classical and Late Antiquity. Oxford University Press.
The poet in the Iliad.Barbara Graziosi - 2013 - In Anna Marmodoro & Jonathan Hill, The Author's Voice in Classical and Late Antiquity. Oxford University Press. pp. 9.
An I for an I: reading fictional autobiography1.Tim Whitmarsh - 2013 - In Anna Marmodoro & Jonathan Hill, The Author's Voice in Classical and Late Antiquity. Oxford University Press. pp. 233.

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