Loughnane on Merleau-Ponty and Nishida: Artists Expressing Faith Intrinsic to Embodiment

Comparative and Continental Philosophy 13 (2):180-187 (2021)
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Abstract

ABSTRACT Nishida’s and Merleau-Ponty’s “perceptual ontologies” lead to other notions of self, spirituality, and faith, bringing out the distinctive and comparable religious paths of Buddhism and embodied phenomenology entered by deepening the prereflective openness to the world’s “voices of silence.” Loughnane’s study highlights how Nishida’s and Merleau-Ponty’s turn towards a series of artists in their respective cultural contexts brings out the particular groundedness in the materiality of the beings of the world in this “mutual interexpressivity” or “reversibility.” Faith is revisioned as the dropping of egoistic control to allow perception to be carried into the depths of the world of spiritual hearkening.

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Glen Mazis
Pennsylvania State University

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References found in this work

The Visible and the Invisible: Followed by Working Notes.Maurice Merleau-Ponty - 1968 - Evanston [Ill.]: Northwestern University Press. Edited by Claude Lefort.
Eye and Mind.Maurice Merleau-Ponty - 1964 - In The Primacy of Perception. Evanston, USA: Northwestern University Press. pp. 159-190.
Intuition and Reflection in Self-Consciousness.Kitar? Nishida - 1987 - State University of New York Press.

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