The Language of Movies and Antonioni's Double Vision"The Thought of Movies."The World Viewed: Reflections on the Ontology of Films"Language, Vision, and Phenomenology: Merleau-Ponty as a Test Case." [Book Review]

Diacritics 15 (2):2 (1985)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,219

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Merleau-Ponty and Carroll on the Power of Movies.B. Scot Rousse - 2016 - International Journal of Philosophical Studies 24 (1):45-73.
The Role Of Painting In The Phenomenology Of Merleau-ponty.Daniel Guentchev - 2010 - American Society for Aesthetics Graduate E-Journal 2 (2):8-14.
On Being Stereoblind in an Era of 3D Movies.Cynthia Freeland - 2012 - Essays in Philosophy 13 (2):550-576.
Image and ontology in Merleau-Ponty.Trevor Perri - 2013 - Continental Philosophy Review 46 (1):75-97.
The Sound of Silence: Merleau‐Ponty on Conscious Thought.Philip J. Walsh - 2017 - European Journal of Philosophy 25 (2):312-335.
A Phenomenology of 'The Other World': On Irigaray's' To Paint the Invisible'.Helen A. Fielding - 2008 - Chiasmi International: Trilingual Studies Concerning Merleau-Ponty's Thought 9:518-534.

Analytics

Added to PP
2018-04-09

Downloads
7 (#1,316,802)

6 months
1 (#1,459,555)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references