The artistic and the aesthetic

British Journal of Aesthetics 45 (4):368-387 (2005)
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The paper addresses the intuitions of aestheticians concerning a fundamental contrast between the judgement, appreciation, and interest appropriate to artworks and those judgements, appreciations, and interests appropriate to all the other (non-art) cases of aesthetic interest. Then terms such as beauty must amount to something different in art-cases from that in other (aesthetic) cases. For the fact of being an artwork is transfigurational, allowing artistic properties to be (truly) ascribed. In arguing against the univocality of terms such as beauty (by stressing occasion-sensitivity), the paper rejects the idea of a ‘look of the thing’ shared by art and non-art. And the pervasiveness of this artistic/aesthetic contrast is urged.



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Citations of this work

Appreciating art appreciation.Victor Yelverton Haines - 2000 - Journal of Value Inquiry 34 (4):529-543.
Art as Moral Education in Contemporary Cinema.Panagiota Sidiropoulou - 2013 - Journal of Aesthetic Education 47 (4):27-44.
Mathematical Beauty and Perceptual Presence.Rob van Gerwen - 2011 - Philosophical Investigations 34 (3):249-267.

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References found in this work

Categories of Art.Kendall L. Walton - 1970 - Philosophical Review 79 (3):334-367.
Meaning’s Role in Truth.Charles Travis - 1996 - Mind 105 (419):451-466.
Sibley.Colin Lyas - 2000 - In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge.

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