In Natasha Bullock & Alexie Glass-Kantor (eds.), Adelaide Biennial 2012 Catalogue, Parallel Collisions. Art Gallery of South Australia. pp. 194-98 (2013)

Authors
Jennifer A. McMahon
University of Adelaide
Abstract
A discussion of the way the visual artists represented in Adelaide’s 2012 Biennale draw attention to new conceptions of place, time and self which highlight the contingent nature of the narratives that underlie our day to day existence. Disenchantment or re-enchantment are increasingly redundant conceptions. Such narratives are always fluid. Among the ebbs and flows, new conceptions emerge, providing in effect new ways of being in the world, and in turn prompting a reshuffling of what we thought we knew.
Keywords disenchantment  meaning  science
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