Imagination

In Social Aesthetics and Moral Judgment: Pleasure, Reflection and Accountability. New York, USA: Routledge. pp. 66-87 (2018)

Authors
Jennifer A. McMahon
University of Adelaide
Abstract
The standard cognitive theory of art claims that art can be insightful while maintaining that imagining is motivationally inert [Walton 1990] even when some epistemic advantage is claimed for it [Currie 1995]. However, if we assume art as art can be insightful, we also assume that the imagining it occasions has a lasting impact on belief. In this chapter, I argue that imagining of the kind occasioned by art can be held non-occurrently [Schellenberg 2013] without delusion and can motivate behaviour [Gendler 2000, 2003, 2006a/b; Langland-Hassan 2016]. As such, certain features of imagination can be appreciated in a new light.
Keywords imagining  delusion  motivation  coercion  imaginative resistance  plausibility  imagination  fiction
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References found in this work BETA

Recreative Minds.Gregory Currie & Ian Ravenscroft - 2004 - Journal of Aesthetics and Art Criticism 62 (4):406-407.
Image and Mind: Film, Philosophy, and Cognitive Science.Gregory Currie - 1995 - Philosophical Quarterly 48 (190):127-129.
Philosophies of Arts: An Essay in Differences.Peter Kivy - 1997 - Tijdschrift Voor Filosofie 60 (3):630-631.

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