Abstract

In The Case for Rage, Myisha Cherry makes the case for a specific kind of rage, a qualified anger at racial injustice that she calls Lordean rage. Drawing on Audre Lorde's classic essay ‘The Uses of Anger’, Cherry develops the concept of Lordean rage as a productive, liberatory anger and defends it from a variety of objections, ranging from neo-Stoic concerns about anger's capacity for destruction to contemporary worries about the misuse of anger by white allies. The brilliance of the book, I think, lies in its capacity to integrate a wide range of philosophical perspectives and arguments, including those from feminist and critical race theory and analytic philosophy of emotion, and present them in a way that speaks directly to our political and historical moment. The audience for this book is broad: anyone who has ever felt anger at racial injustice will have a stake in this book.Cherry begins with some philosophical distinctions to help delineate the contours of this kind of anger. Lordean rage has a particular object—racial injustice—and a specific motivational stance: ‘It aims at nothing less than transforming our world’ (p. 40). (She leaves it as an open, and interesting, question whether a variation of Lordean rage occurs in other cases of oppression.) For these reasons, Lordean rage demands a non-trivial degree of optimism and hope. It also requires a basic respect for both the victim and the perpetrator of racial injustice (p. 37). This last criterion distinguishes it from other motivating kinds of rage, such as ‘wipe rage’, which seeks to eliminate the object of the rage and ‘narcissistic rage’, which is only concerned with injustices that immediately effect oneself. These distinctions, and other helpful ones, are the subject of Chapter 1, which argues against the tendency to understand anger as a homogeneous or uniform phenomenon. We can’t, Cherry argues, paint anger in such ‘broad strokes’ but need a more nuanced account of how different kinds of angers are operative in different kinds of contexts.