Normal.dotm 0 0 1 145 727 Memorial University 14 1 1017 12.0 0 false 18 pt 18 pt 0 0 false false false /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-ascii-font-family:Cambria; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Cambria; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} The transcendental lift of Lonergan’s life was an incarnate leaning towards “a grasp of hitherto unnoticed or unrealized possibilities” ( Method in Theology , 53), and the blossoming of that transcendental—so neatly identifying “being intelligent” on that page—seems to have been grossly missed by generations of his followers. The what-question in its fullness is a reach for what might be, and Lonergan’s final great leaning pulled together in a gentle global way the fragmentary present seeds of finitude’s lust for unity of purpose: “the end of the divine mission is not attained without the cooperation of human beings” ( CWL 11, 485). And what a Cosmopolitan Cooperation he envisaged! And what a shambles his disciples have made of his hope of a communal advance within “an adapted and specialized auxiliary ever ready to offset every interference with intellect’s unrestricted finality” ( Insight , 747)!
Keywords Bernard Lonergan, art and religion, aesthetics, self-appropriation, science and art
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The Subject.Bernard J. F. Lonergan - 1968 - Milwaukee, Marquette University Press.

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