La música y los límites del mundo. Un estudio desde Agustín de Hipona y Eugenio Trías


Abstract
This work focuses on the role that music has in the constitution of the World as a philosophical category. I explore the work of Eugenio Trías and Augustine of Hippo, and the way both philosophers have conceptualized music in relation to the constitution of the time of the World. For Trías music is not about the World but about its limits and, in that way, gives it a form. For Augustine music relates man to universe’s ordo , liberating him from mundane distentio animi and helping him to give sense to a World that gives itself as finite
Keywords mundo  límite  Time  música  World.  Music  Limits  orden  order  tiempo
Categories (categorize this paper)
DOI 10.5209/rev_ASHF.2013.v30.n1.42450
Options
Edit this record
Mark as duplicate
Export citation
Find it on Scholar
Request removal from index
Translate to english
Revision history

Download options

Our Archive


Upload a copy of this paper     Check publisher's policy     Papers currently archived: 40,785
Through your library

References found in this work BETA

Add more references

Citations of this work BETA

No citations found.

Add more citations

Similar books and articles

Agustín de Hipona.Robert Russell - 1975 - Augustinianum 15 (1/2):238-240.
Hacia Una Nueva Ética.Rosario Herrera Guido & Eugenio Trías (eds.) - 2006 - Siglo Xxi Editores.
Philosophy and its Shadow.Eugenio Trías - 1983 - Columbia University Press.
A Metafísica da Música de Arthur Schopenhauer.Henry Burnett - 2012 - Veritas – Revista de Filosofia da Pucrs 57 (2):143-162.
Estética: Perspectivas Contemporáneas.Antonio Notario Ruiz (ed.) - 2008 - Universidad de Salamanca.

Analytics

Added to PP index
2013-10-27

Total views
25 ( #328,685 of 2,244,030 )

Recent downloads (6 months)
1 ( #1,041,488 of 2,244,030 )

How can I increase my downloads?

Downloads

My notes

Sign in to use this feature